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SHOW_SCR_SELECTOR |
Add this tooltype to have the application open the screen mode selector
at each launch. This is usefull to bypass the saved screen preferences
in order to redefine them. Example: SHOW_SCR_SELECTOR |
CGFX_DEPTH |
Add this tooltype to have the main screen optimized for graphic cards.
Don't use this if a graphic card is not installed. Example: CGFX_DEPTH |
CGFX_DEPTH2 |
Add this tooltype to have the secondary screen optimized for graphic cards.
Don't use this if a graphic card is not installed. Example: CGFX_DEPTH2 |
DUAL_MONITOR |
Add this tooltype to have the application work with two monitors.
You'll need two graphic cards or just one card and the onboard
chipset. When using the dual monitor option the application
closes the WorkBench, if possible, in order to make screen
swapping more confortable. Example: DUAL_MONITOR Note:The OS3.x has a bug that prevents the WorkBench from opening after it gets closed. You'll need to install a patch, available in the public domain, to fix your OS. One is available into the NewIcons package, it's name is PatchOpenWB. |
IMPORT_PATH |
Add this tooltype to set a default path for the import requester. Example: IMPORT_PATH=HD2:/recordings |
OUT_DRIVER |
Add this tooltype to select an audio driver other than the one built-in. Example: OUT_DRIVER=<driver name> |
DRIVER_PRI |
Add this tooltype to boost (no parameters required) the audio driver priority in case of sync problems. Example: DRIVER_PRI |
ULTRA_WGFX |
Add this tooltype to have the application handle/store high
resolution waveform graphics inside ALSF (AudioLabs Support
Files) files.
Example: ULTRA_WGFX |
TASKPRI |
Add this tooltype to change the application priority. Settings:
Example: TASKPRI=HIGH |
PAULAFASTDMA |
Add this tooltype to have the internal audio subsystem work at
the nominal sample rate (1:1). Normally the driver for the internal
audio subsystem subsamples (2:1) audio streams in realtime. When using this tooltype an open 31KHz screen is required, in order to have the system DMA move audio data at double the normal rate. Example: PAULAFASTDMA |
C_MEM_MODEL |
Add this tooltype to change the amount of memory allocated to the application.
This setting influences the maximum size allowed for a session to be
played or mixed to disk. It doesn't influence the size of the session
itself, you can add as many objects as your free memory permits. The "weight" of a session is determined by the amounts of tracks times the timeline duration. For example, a 5 minutes timeline with 8 tracks (5 times 8), needs more memory than a 10 minutes timeline with 2 tracks (10 times 2). Settings:
Example: C_MEM_MODEL=LARGE |
VMM_BUFFERS |
Add this tooltype to change the amount of memory allocated to the
virtual memory manager.
This setting influences the amount of tracks that can be played in
realtime. Increasing the amout of memory allocated allows to
handle more tracks at once but also increases the delay between
the instant you issue the Play command and the time the
system actually starts playing. With the maximum setting, the VMM consumes 16MB RAM. Settings:
Example: VMM_BUFFERS=LARGE |
NOBACKDROP |
Use this tooltype to reduce chipram usage. The decorative solid color
screen backdrop is replace with color zero. Example: NOBACKDROP |
USE_PPC_POWERUP |
Use this tooltype to enable PPC support. The application will look
for the PPC CPU and will use it. Example: USE_PPC_POWERUP |
ACCOUNT_THRESHOLD |
Use this tooltype to filter out (from the account reports) operations
shorter than a preferred amount of minutes. This is handy to ignore
occasional operations not involved with normal working activity
such as viewing the contents of a project or accessing it to generate
a report. In any case, the application tracks every access, the
threshold value is not destructive and used just for filtering
the global access list..
Example: ACCOUNT_THRESHOLD=3 filters out operations shorter than 3 minutes. |
INVERT_STEREO |
Use this tooltype to invert the L/R channels at the audio board outputs.
Required by some hardware. Example: INVERT_STEREO |